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Swap Your PC, Or
Your President

By Louise Witt
Wired News
8-21-4
 
Errol Morris, the documentary filmmaker who produced Apple Computer's well-known series of ads about discontented PC users who switched to Macs, had a similar idea on how to reach undecided voters. His new advertising campaign features Republicans who voted for President Bush in 2000 explaining why they now intend to vote for Sen. John Kerry.
 
Scheduled to run during the Republican National Convention later this month, MoveOn.org's political action committee, MoveOnPAC, will air Morris' aesthetically stark 30-second interviews with ordinary citizens about why they won't vote for Bush again in November.
 
"There's a principle of advertising that if you want to talk to a certain group, it's best to pick someone from that group," said Morris, whose documentary on former Secretary of Defense Robert McNamara, The Fog of War, won a 2003 Oscar. "If you want to talk to Republicans on the fence, then it's best to talk to Republicans who are on the fence. These are real people who are expressing themselves in their own words."
 
Morris' "Real People" ads may rely on traditional Madison Avenue dogma, but they are also a rare example of how the internet can play an integral role in producing a political ad campaign. With a tight schedule and limited funds, Morris said it would have been difficult to locate appropriate voters without MoveOn's extensive e-mail list. (Morris isn't charging MoveOn for his work.)
 
"It would have been very hard for me to find such a group of people without having the internet," he said. "It has been a very, very strong partner in all of this."
 
Morris didn't expect to work with MoveOn. In the spring, he pitched his idea to interview disgruntled Bush voters to the Democratic National Committee, Kerry's campaign and the Media Fund. No one took him up on his offer. Months went by.
 
Afraid he wouldn't get his project off the ground in time for the election, Morris e-mailed Wes Boyd, MoveOn's co-founder, in June. Boyd was intrigued with Morris' out-of-the-Beltway approach.
 
"One of my pet peeves is the disregard that political folks have for the broad American public," Boyd said. "They use intermediaries to communicate with them. They design TV ads after using pollsters and models that are in their own heads, like NASCAR dads."
 
On July 1, with the Republican convention less than two months away, MoveOn sent an online casting call for a Kerry commercial to its 2.6 million members. Within a week, roughly 16,000 replied. Sorting through the database, Morris found 500 who had voted for Bush in 2000, but planned to vote for Kerry.
 
Morris and his crew in his office in Cambridge, Massachusetts, zeroed in on the 500, reviewing their questionnaires and conducting follow-up telephone interviews. Ideally, they wanted the group to include men and women who reflected diverse views, geographic regions, ages and ethnicities.
 
Morris also contacted Diplomats & Military Commanders for Change, a group seeking to prevent Bush from being re-elected. Of this group, William C. Harrop, former ambassador to Israel, and George E. Moose, former assistant secretary of state for African affairs, participated in the commercials.
 
On July 17, Morris started gathering 40 Kerry supporters from 23 states in Canton, Massachusetts, where he had set up a studio. For the next eight days, he interviewed each person for about an hour. Once completed, Morris parceled out raw interview segments to four editors in Michigan, Los Angeles and New York.
 
Less than six weeks after MoveOn e-mailed to its members about Morris' commercials, he had completed preliminary edits on 17 30-second spots. On Aug. 10, MoveOn asked its members to choose their favorites in an online poll. Two days later, after about 100,000 voted, the winners were announced.
 
The top choice featured Lee Buttrill, a former Marine, explaining why he's angry WMDs weren't found in Iraq.
 
"We were given these ideas that there were weapons of mass destruction," Buttrill says in the ad. "It was just a lie. That wasn't a proper use of American troops. It wasn't a proper use of my life, or my friends' lives, or the Marines who I've seen die around me."
 
Morris borrowed techniques from his documentaries. Without scripted questions, Morris drew out voters' personal concerns. A home builder from Boulder, Colorado, for example, was worried Bush's economic policies were driving up the cost of lumber, and an ex-Marine colonel from North Carolina was disgusted with the administration's environmental policies.
 
"The important thing is that it is investigative," Morris said. "I use that word seriously in the fact that you don't know what you're going to hear. You're not looking for evidence just to justify a foregone conclusion."
 
Morris also used his signature multi-lensed Interretron. The device makes it seem as though the subject is talking directly to the viewer, not to an unseen third person off camera. The voters were shot against a white background.
 
The documentary-style "Real People" ads may mark a new approach to political advertising, just as Tony Schwartz's "daisy" ad did for Lyndon Johnson's re-election campaign 40 years ago, said Stephen Ansolabehere, a political science professor at the Massachusetts Institute of Technology, who is an expert on American politics and the mass media.
 
That ad, which showed an image of a girl cutting to one of a mushroom cloud, changed political advertising, said Ansolabehere. Up to then, TV spots basically plugged the candidate. After the "daisy" commercial, they tackled issues.
 
By the early 1970s, political consultants relied on focus groups to shape ad campaigns. Morris, in contrast, based his ad campaign on the voters' personal issues.
 
"It's a lot less the Madison Avenue, standard advertising model," said Ansolabehere. "What's more unique is that he's using people speaking in their own words. He's really capturing their concerns. He's producing the ads as though they were part of a documentary where he's going out and documenting what people are saying."
 
Other campaign ads in this election cycle feature real people, but they appear more staged, said Ansolabehere. In the controversial Swift Boat Veterans for Truth ad, several Vietnam veterans' comments are interspersed with images.
 
"Errol Morris' ads show people why they may want to defect from Bush," Ansolabehere said. "The Swift Boat ads show that the band of brothers may not be so unified. The Swift Boat ad is more focused on a single question. I'm not sure which one is more effective."
 
Late last year, MoveOn sponsored a contest for an ad opposing Bush's re-election. After posting contenders on its website, MoveOn's members chose "Child's Play" as the winner. The ad, criticizing Bush's budget deficit, stirred up controversy when CBS refused to air it during the Super Bowl, but wasn't especially successful swaying swing voters, Ansolabehere said.
 
However, Boyd said another MoveOn ad, which aired last year and bashed Bush's spending on the Iraq war, influenced voters' opinions.
 
Boyd said political pollster Stan Greenberg is market testing the "Real People" ads with a general population on the web and then in specific TV markets. The results will determine how many commercials will air in battleground states. MoveOnPAC is raising money to buy time on cable TV, local broadcast stations and possibly some network channels.
 
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