- Edison may have invented the 'motion picture' - but Jewish
immigrants from Europe created Hollywood. (Read 'How The Jews Invented
Hollywood' by Neal Gabler) Remarkably, in the century since Meyer, the
Warner Brothers and a handful of other Ashkenazi Jewish immigrants who
began the 'studio system', Hollywood maintains a distinctly Yiddish accent.
Some critics, however, posit that Hollywood doesn't play fair, since it
employs the mesmerizing power of cinema to manipulate the mindset of complacent
viewers. How? By relentlessly injecting sordid scenarios and denigrating
images of once-respected American archetypes and institutions. Current
targets: the Catholic Church and , as usual, Arabs.
-
- One very recent example out of many is the comic-book
styled action film "Sin City." Here, many of the villains are
sporting multiple crucifixion crosses, a symbol held sacred by many Christians,
and mixed in with a smattering of swastikas. Indeed, the film's arch-villain
turns out to be a satanic, cannibalistic Catholic cardinal! OK, this is
fictional 'entertainment' but Hollywood knows these scenarios have a visceral,
even subliminal, impact. That's basically why we don't see any Hollywood-fabricated
demons and bad guys sporting a Star of David nor do we see any rabid psychopathic
rabbis dished up for popular entertainment.
-
- The unspoken code of Tinseltown is simple: Jewish archetypes
and Jewish religious sensitivities are to be respected. Others may be casually
smeared.
-
- Although Catholics and Arabs are expected to survive
this non-lethal, but inherently pernicious onslaught, considering the laudatory
treatment Hollywood's Jews regularly heap upon themselves when portraying
their brethren, it's becoming a bit of an outrage, as it should. How is
it that Jews, Arabs and Christians receive such different treatment under
Hollywood's gaze?
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- In polite terms, the Jewish presence in American film
and media is "without peer."
-
- Hollywood is an insider business. While talent is essential,
there is a political element to success in Hollywood. One must pass muster
with the specifically Jewish dictates of political correctness. Otherwise,
one may find oneself very much unemployed and ignored. It took an actor/producer
with the stature of Mel Gibson to buck the kosher Hollywood code to produce
and distribute his controversial, but wildly successful film "The
Passion." He endured a tidal wave of organized, Jewish protest, including
death threats to his family.
-
- Not surprisingly, Bob and Harvey Weinstein of Miramax
Films declined to distribute The Passion assuming it would offend their
crowd and/or fan the "eternal" flames of "anti-Semitism".
On the other hand, the Weinstein brothers did distribute "Sin City"
as well as Michael Moore's much ballyhooped Fahrenheit 9/11. Why? Both
films respected the unwritten kosher code: vilification and defamation
of Arab and/or Christians is perfectly fine, but one must never - even
in the context of analyzing terrorism or U.S. foreign policy in the Middle
East - demean Israel, Zionism or neo-conservatism. In fact, in Fahrenheit
9/11, Moore totally ignored the roles of Israel, Zionism and neo-conservatives,
while tossing in a gratuitous, hefty dose of Arab-bashing. Good boy, Michael.
Here's a million dollars!
-
- For the ambitious film maker, it's crucial to remember
three things -
-
- 1: Jews remain at the top of the Hollywood food chain.
- 2: They intend to remain there.
- 3: Don't' forget those first two things.
-
- Like it or not, the gatekeepers of American mass media
are disproportionately of Jewish stock. Though they famously disdain "white
racism", prevailing Hollywodd customs affirm aggressive white Jewish
networking. The results are nothing less than astonishing.
-
- Much of America has come to "think Jewish"
as attitudes have magically shifted on matters such as race, 'minority
rights', school prayer, abortion rights, celebrating the 'holidays', and
'promoting our values' via an aggressive mission to impose democracy in
all Mid-East countries except for the ethnocentric, and many say openly-racist,
Jewish state of Israel.
-
- OK, Israel may qualify as a "democracy" in
the same way the white, apartheid South Africa did but there's one huge
difference: concerted interevention from around the world finally brought
the segregated Apartheid country of South Africa to its knees. White racial
discrimination was declared to be "evil." Interestingly, Jewish
activists played a decisive role in that campaign. However, Jewish Israelis
and international Zionists - both Jewish and now so-called Christian Zionists
- suffer no similar intense pressure, except by a growing grassroots movement
of human rights and peace activists, who, thus far, lack any real significant
political clout. Without apology, Israel and its supporters get to play
by their own rules.
-
- It's no accident that America's expanding global militancy
implicitly hold the "security" of the Jewish state as its centerpiece.
And with the help of vital US aid, Israel militarily maintains its commitment
to a segregated society, with hellish consequences for the indigenous non-Jewish
Palestinians.
-
- How are the highly-placed "friends of Israel"
able to bamboozle so much of the world? Through a complicated but interconnected
array of media and grass-roots propaganda, political pressure, complex
legalisms, victimhood identity via the Holocaust, and raw political muscle.
In today's America, just an allegation of "anti-Semitism" can
damage the career of public figures. And to fortify this taboo, Americans
are regularly fed a hefty ration of Holocaust lore.
-
- As a sidebar, here's an additional fact that would be
funny if only it wasn't true: Holocaust "experts" are almost
all Jewish. Does their collective obsession produce scholarship, or an
appetite and license to propagandize? In any case, for the latest Holocaust
news, about all one needs do is simply turn on the TV or pick up any 'major'
newspaper. Yet, an accurate telling of the Jewish experience in America
should spotlight not suffering or persecution, but success, acceptance,
privilege and influence. Jews are, in fact, America's pre-eminent success
story.
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- Although reportedly substantially less than 3% of our
population, Jewish per capita income is unsurpassed, as is their presence
at our nation's top universities and think tanks. As noted, American Jews
make up a majority of Hollywood's ruling class and beyond that, Jewish
over-representation is an accomplished fact in the fields of law, medicine
and the entire entertainment and general media, including print and TV.
This is no small matter. With the average American watching over four hours
of TV or film every day, listening to radio, and perusing mainstream newspapers
and magazines, these figures are evidence of a profound ethnic imbalance
in the management and dissemination of news and information. For America's
Jews, this translates into formidable political power.
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- The enduring fact remains that whoever owns and controls
the media, can also leverage public opinion, and from there, government
policies.
-
- Indeed, Jewish media mavens have the means to easily
advance their particular viewpoint of history, with far reaching consequences.
And with the Jewish state of Israel embroiled in a condition of near-perpetual
war since its founding in 1948, the question must be posed: might many
of our country's most accomplished editors and story-tellers, who qualify
as Israeli-Americans, have at least a minor conflict of interest?
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- Put another way: how can they NOT?
-
- After all, Israeli 'security' remains the essential focus
of organized Jewry. Countless pro-Israel organizations famously apply incessant
pressure on government officials, political parties, candidates, journalists
and fellow 'tribe-members' to lobby on Israel's behalf, since countless
billions of dollars in U.S. aid are harnessed to advance the Jewish state's
regional hegemony.
-
- Consequently, maintaining a public willingness to favor
America's present interventionist, pro-Israel/anti-Arab foreign policy
is an essential component in any scenario culminating in The Final Zionist
Solution. It's essential therefore that American gentiles "think correctly"
on key Jewish issues. Thus, when Jewish interests are at stake, good and
evil are neatly drawn (preferably in clear, unambiguous fashion) so that
American consumers of news and entertainment can easily and passively draw
the proper conclusions. Thus Arabs (particularly Palestinians) are "terrorists",
Nazi demonology is a growth industry, and Holocaust Revisionism (widely
misrepresented as "Holocaust Denial") is being peddled as a threat
to global security. In fact, in numerous "free, Western democracies",
such as Germany, the Netherlands, Austria and Switzerland, for example,
to question the version of The Holocaust promoted by Zionists, including
the six million figure and the gas chambers, is an actual crime punishable
by fines and imprisonment.
-
- Ernst Zundel was deported from the U.S. ostensibly for
"visa violations" to Canada where he spent two years of his life
in solitary confinement. Following that outrage, he was then recently was
deported to solitary confinement in a German jail. His crime? Publicly
questioning aspects of the Holocaust. Who's next?
-
- Organized Jewry, progenitors of "speech codes"
on countless American campuses, are raising the bar from censoring up to
outright criminalizing free speech.
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- A balanced and accurate view of history DOES matter.
Yet, when the facts don't fit, the media gatekeepers can purposefully misinterpret,
obfuscate or simply overlook them. This may explain why, for instance,
there is so little media interest in the annihilation of 20 million anti-Bolshevik
Russians preceding WWII. After all, 20 million Russians KILLED BY THEIR
OWN GOVERNMENT is the all-time tsunami of war crimes. But who were the
perpetrators? Where are they now? The average American simply knows nothing
about the dominant Jewish role in Communism's pernicious rise. Of course,
this oversight is no accident.
-
- Considering that over 275 million humans have perished
in wars during the past century, America's nurtured obsession with, and
elevation of, Jewish suffering in Europe during WWII might be seen as a
peculiar idiosyncrasy. Indeed, many surmise that the American Mind is indeed
under Zionist management. The irony of our nation's preoccupation with
Jewish war causalities during WWII 55 years after the fact becomes even
more repellent when we consider the horrendous, ONGOING persecution of
gentiles in Palestine-Israel under Jewish occupation.
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- As for American cinema, there has been a sea of changes
in the past generation. There's now a multicultural array of celebrities,
including many Jewish ones. On the downside, Christianity doesn't get the
kind of coverage it enjoyed when Frank Capra was directing. Thus, we are
treated to seeing an array of stock Christian con artists, whores and criminals.
As for Arabs, they're still welcome to play terrorist schemers, religious
fanatics, or just plain unsavory characters. This is the mean-spirited
side to American film that goes unacknowledged and unchallenged.
-
- Recently, after reading several glowing reviews, we succumbed
to seeing the aforementioned over-praised, over-hyped, action-revenge movie,
Sin City. Directed by Frank Miller and Robert Rodriguez, with special 'guest
director' Quentin Tarantino, Sin City is a gritty, sexy, violent and surrealistic
foray into a stylized, comic-book version of post-modern urban mayhem.
By contemporary standards of blood-letting, this film delivers far more
than its share, but there is probably worse in circulation. Sin City's
denigration of Christian icons, however, approaches new excesses, something
that was also very evident in Tarantino's previous Kill Bill movies.
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- Not only do many of the villains in this hyper-violent
yarn wear gaudy necklaces and earrings hung with Christian crosses, even
multiple layers of them, "Sin City" manages to associate blue
eyes with depravity...although for Hollywood, that's nothing new.
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- The two heroic characters (and they were not wearing
any Christian crosses, or swastikas, of course) where portrayed by Mickey
Rourke and Bruce Willis. It's Willis' character who finally manages to
kill the the evil Catholic priest.
-
- At any rate, we can rest assured that Hollywood shall
likely refrain from depicting Jews in such a negative fashion. As for the
rest of us, we are not supposed to complain. In fact, we're not even supposed
to NOTICE, since it might indicated a racial loyalty which for anyone else
except for Jews, is a modern sin.
-
- This very real double standard speaks volumes about who
holds real power in contemporary American
- film and entertainment.
-
- In a true democracy, EVERYONE has a voice. We advise
that you use it. Or you may lose it.
-
- ****
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- Mark Green and Wendy Campbell practice what they preach.
For more information about their views and their taboo-shattering documentaries,
please visit www.marwenmedia.com.
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