- The ARTS have been the most heavily censored area of
society since before the Renaissance. It's the one area of human activity
that has not managed to free itself from the clutches of the world's wealthiest
and most influential individuals and organizations. The case-in-point by
the Oakland Children's Museum, in their refusal to fund an exhibit by 5-7
year old Palestinian Children who managed to survive Operation Cast Lead,
in Palestine; is only the most egregious example. But it is just the latest
in a long line of routine censorship by the 'esteemed' members of boards
of directors in the "arts community" everywhere. This amounts
to ART censoring 'art' for purely political reasons!
- Here are some of the images that were banned, in this
seven minute video, that was to have opened to the public in September,
- Back in history there have been very few artists willing
to go against the powers of the moment to do the work that only artists
can do, to illustrate some of what the people of the world suffer from,
when politics loses its collective mind and tries to rape, torture, bomb
and murder its own populations. Goya was one such artist, and there have
only been a handful of others: The "ARTS communities around the world
have seen to this tawdry lack of artistic involvement in the affairs of
- Here's the complete story of what happened in the case
of the censoring of the exhibit in Oakland. But ask yourself: What if the
exhibit had been an exhibit of Africa-American Negro art by children, whose
lives are caught up in the violence of the ghetto? For example, art from
East Oakland or Richmond or the Berkley flats? Would the Museum have caved-in
to a group of Jewish donors if they had said NO to the African-American
children's art. And would the backers have said that they would no longer
fund the museum-in that case either? (2)
- Unfortunately the undue influence of the Zionist-Apartheid
State of Israel; has become an all too familiar censor of anything that
might either cause people to think about wars, or terror, or real fascism:
Unless it is of course something horrific that happened to the Jews during
the Nazi-era. This nation is overwhelmingly awash with these programs on
public television, in Hollywood films and in slanted articles and exhibits
that favor current-day Israel, as if that place were not the current day
home of the 88 year old NAZI Party that is alive and well and living in
Zionist Israel as we speak.
- The fact that this exhibit would have shown the world
just what it means to have been 5 to 7 years of age during Operation Cast
Lead, wherein over 1,300 Palestinians lost their lives was the reason
that this exhibit was canceled.
- Operation Cast Lead, 27 Dec. '08 to 18 Jan. '09
- "Between 27 December 2008 and 18 January 2009, the
Israeli military carried out an attack on the Gaza Strip, which it called
Operation Cast Lead. The magnitude of the harm to the local population
was unprecedented: 1,389 Palestinians were killed, 759 of whom did not
take part in the hostilities. Of these, 318 were minors under age 18. More
than 5,300 Palestinians were wounded, 350 of them seriously. Israel also
caused enormous damage to residential dwellings, industrial buildings,
agriculture and infrastructure for electricity, sanitation, water, and
health, which was already on the verge of collapse prior to the operation.
According to UN figures, Israeldestroyed more than 3,500 residential dwellings
and 20,000 people were left homeless.
- During the operation, Palestinians fired rockets and
mortar shells at Israel, with the declared purpose of striking Israeli
civilians. These attacks killed three Israeli civilians and one member
of the Israeli security forces, and wounded dozens. Nine soldiers were
killed within the Gaza Strip, four by friendly fire. More than 100 soldiers
were wounded, one critically and 20 moderately to seriously."
- 'Art' is supposedly that part
of life that helps connect people to the world in which they live; at whatever
time the artist is alive. Yet down through the centuries the arts have
been used as nothing more than PR and promotional imagery for everything
from the Catholic Church who used their powers almost exclusively to secure
their hold over a global population. Do you really think that virtually
every artist would have filled his or her head with nothing but a bunch
of extremist religious images, exclusively for centuries: unless the only
way an artist could survive was to be in the employ of either the church
or some noble-person who was seeking the good-will of the power that was
the church for so many centuries? Well it's no different today: Those who
get the commissions now are working for the filthy rich in the same way
that those in history had to sign up or starve; back when 'ART' enjoyed
the spotlight in nearly every home, church or castle. It was the equivalent
of Television and pro-football all in one, and it could only be done, and
survive the ages, if you had a patron.
- In today's 'ART World' the results of the disinformation,
and the formal casting of trends that destroy art's longer range purposes
are heavily influenced by the new patrons (same as the old patrons except
that today they are Zionists). And this collection of elites just happens
to own 94% of all the magazines, newspapers, publishing houses and film
companies as well as television outlets and the multi-media firms that
support the whole nightmare. So it just makes perfect sense that these
concerned patrons who canceled this exhibit cannot allow some 5 to 7 year
old Palestinian children to rock their boat of victimhood: When in fact
instead of being victims, the Zionists are and have always been the initiators
of the most unspeakable crimes committed on the face of this earth.
- So the next time you attend the Opera, the Symphony,
the Ballet or any of the "Mausoleum's to ART " in the San Francisco
Bay Area you might want to ask the management for a copy of their
major-donor's list. Don't be surprised if it is not complete; because well,
you know how delicate things of this nature can be; especially if it actually
"gets out" that the arts are nothing but a huge-con being supported
almost entirely by one group in particular.
- The entire gallery scene is an extension of this hijacking
of the visual arts. For instance did you know that up and coming young
artists in New York and elsewhere can pay up to 110% as a commission on
what is sold, when their work is displayed? So that if they have a successful
show they will owe the gallery 10% more than what the gallery took in?
The galleries call this "just routine business." To struggling
artists this is highway robbery but it's the only way to "be discovered"
today. The museums have special arrangements with the art schools and the
galleries that assure these predetermined new prodigies (the chumps that
are willing to go into hock, just to be seen) become the "SUCCESS
STORIES that the Museums, the most prominent galleries and the 'ART WORLD'
in general have predetermined to be; long before the moneyed crowd begins
to buy the slop that passes for "art" today.
- America has not paid much attention to the graphic arts
of late, probably because of the massive fraud that was discovered with
signed and numbered prints awhile back. And the idea of selling blank canvases,
with a single dot of color for hundreds of thousands of dollars also did
not go down well with anyone except the swindlers that were ramping up
the prices on this pre-arranged-farce which the critics and museums then
tried to pawn off on the public as the very latest in "ART."
The buyers for this waste of time and materials were "the Collectors"
who planned on making millions from all this contrived hocus pocus that
even the public knew was nothing more than another con-job.
- The exhibit that was canceled by the Oakland Children's
Museum probably had more art in these drawings by children than all of
the so-called great works being displayed anywhere throughout the Bay Area
by the official fonts of artistic authority that are everywhere here; but
whose opinions amount to nothing more than George Orwell's Double-Speak;
when it comes right down to the value of any of that "officially-sanctioned
work" as 'Art' whose validity you can believe in!
- The people that blocked this exhibit are not community
leaders, they are shadowy creatures that seek to rule by fiat over the
tastes and opinions of everyone they can directly influence with the money
they've 'acquired' by rearranging all the rules in every area to favor
only the extremely wealthy in every case. These people are just Outlaws
hiding behind corporate titles and legendary family names: But they should
NOT be allowed to keep this exhibition from being shown in the Bay Area!
- MAKE YOUR OPINIONS KNOWN to the Oakland Museum and the
Oakland Children's Museum today!
- 1) The Children of Gaza Lose Again 7min video
- 2) Muzzlewatch tracking efforts to stifle Open